Showing posts with label Elie Saab. Show all posts
Showing posts with label Elie Saab. Show all posts

Tuesday, 23 October 2012

Designers Recreate Disney Princess Gowns For Harrods

A small dream of mine was made a reality today when Vogue released an array of sketches by some of the fashion industry's leading designers. Nothing special about that, apart from the designs were recreations of Disney's most loved princesses. As someone who longed to be Belle as a child (she's the best one and I still do), it's a happy day to see the iconic dresses of my childhood dreams be brought to life as an adult, by the people I now admire. The dresses have been designed for the iconic Christmas window display of Harrods' and will include designs by some of my favourites including Elie Saab, Valentino and Marchesa. Saab's looks like it will be exquisite! 





For real Disney fans there is also a pop-up Princess boutique now open on the fourth floor of the store and the dresses will be revealed on the 1st November.

Are you excited to see these designs? Which is your favourite?

Image: Vogue UK 

Wednesday, 7 July 2010

Couture Couture Couture

I really should have organised myself a little better and grabbed myself a little patience at the same time, so that I could have just popped all these couture posts into one tidy little number. However, patience is not an attribute of mine and when I see a gorgeous couture collection get posted up online, if I like it, I just have to post it here.I'm always really excited about the Elie Saab collection, and the last two seasons of couture have undeniably lived up to my expectations. Partly I love them because at heart, I guess I love a little princess glamour - the big, floaty ballgowns which Elie Saab is so brilliant at creating.

The collection for this year was a little disappointing to me, not only because it didn't have as many big, floaty ballgowns as I expected but also because there wasn't enough 'wow' factor. You know, Givenchy had the 'wow' factor. Elie seems to have a penchant for the one sleeve look at the moment, which I find incredibly annoying. Asymmetric shoulder where both sleeves are short, yes. One whole sleeve while the other arm lingers bald as an eagle like it hasn't been completed? No. The finale gown seemed overly OTT compared to the sleek, understated elegance of many of the others too.

However, though it wasn't as brilliant as I expected, I would do alot to get the chance to wear one of those gowns, and I would happily welcome any one of them into my wardrobe. There were some pure beauties, and practically all of them appeared to be designed entirely for major red carpet events. I'm still in 'nude' mode (as in the colour palette), but a lot was made of next season's deliciously seductive red.

My blog posts are becoming a little taken over by couture at the moment, so instead of posting up every look I loved (the collection comprised 45 looks, so there were a few extra special lovelies), I managed to pick out my absolute favourite.






What do you think?


Thursday, 11 March 2010

Last Day of Paris Fashion Week

Do you ever suffer from what I call 'bloggers guilt'? It's when you neglect your blog for more than a day, in my case, and then when you go back to it, realise that about a million shows have been and gone, and that they've all been numerously blogged by the bloggers on your dashboard, and you haven't even had a look yet. When people are depicting the trends, and piecing together their favourite looks, whilst you're left to trudge your way through from the beginning it seems, feeling annoyingly 'behind the times'. This is how I'm feeling at the moment, and it's kind of ridiculous how guilty I feel, that I haven't followed Paris fashion week in the slightest, or some of my favourite designers, or even really cared for the past couple days; and this is all because I've been living in the little bubble that was my birthday. It lasted nearly 5 days, and I think I deserve some kind of recognition for managing to milk it this long. I'm really going to miss saying 'but it's my birthday'.
Now that everyone has gone back home, and I've crashed back down to the land of very fast approaching uni essays, I've realised how much has gone on in Paris fashion week, and what amazing collections have been shown - probably more than London I'd say.

So, here we begin. I'm going to make an attempt at getting back into blogging - good job I enjoy it, really!

Miu Miu.

I really  loved this Miu Miu collection, and it's kind of growing on me even more with every time I look at it. I love the sixties vibe in brash, clashing colours of purple and orange, and oversized flourishes of flowers. The rigid flair on the dresses, right near the hemline, gave a modern twist to the shift dresses synonymous with the sixties era. The key to all the garments were bow details from the neck to toe, which were particularly elaborated on the shoes. Talking of the shoes, interesting aren't they? Can't say I like them to be honest. You've got one selection that looks slightly Edwardian - square toed, with a high 'tongue' (I have no structural shoe knowledge, so this may easily be a term I've made up) heavily embellished and a rigid, square heel - and then you've got the other selection, which only serves to remind me of a Shire horse hoof, courtesy of the attached ankle curtains. There was a little too much black to the collection as well for me, but the twisted details that Miuccia brings to Miu Miu were as gorgeous as always. Note: the giant pockets on the lilac skirt below - adorable!










Louis Vuitton.

Who'd have thought the prim and proper look of a middle-class mother, would have become such a feature of the later shows this season? It's easy to see why - for what the mid-calf length skirts take away from showy, sexy legs, the low cut, tightly bound tops more than make up for. It's kind of refreshing, I think, after a couple of seasons of Balmain dominated body-con mini dresses, so overtly young and sexy, to see something a little more demure, whilst still so clearly worshipping the female form. The skirts at Vuitton didn't shroud the models and drown them in fabric; far from it in fact. They accentuated the hips and created the coveted hour-glass figure, with their continued high-waisted, wide-hipped, massively cleavage-enhancing silhouette. I loved seeing these skirts in leather, which made them very much high up on my 'wishlist-of-gorgeous-designer-clothes-I-create-dream-outfits-from-but-can't-actually-buy'. When floral prints were used, they weren't sickeningly over the top, but looked perfect for the transition from the pretty pastels of spring, into the duskier shades of Autumn. Slicked back pony tails, dewy, fresh skin and a lot of skin on top to counteract the cover-up on bottom, are key to this look to avoid looking like your fashion-phobic Grandma




The pièce de résistance was seeing Elle Macpherson, one of my all time favourite models, back on the runway.


Elie Saab.

One of my favourites, Elie Saab, didn't fail to deliver some beautiful pieces as usual. He layered lace underneath sheer fabrics, ruffled beautifully, which made the lace look much softer and more delicate. Some of the earlier dresses had that sleek, polished, chic finish, which I now associate with (dare I say it, yet) Victoria Beckham, especially with the models slicked back hair. I loved the short jackets, veined with a slight shimmer that gave a leather-like finish, paired with shorts, and chunky necklaces. I always go through his collections in anticipation of the evening gowns at the end, and they were expectantly stunning. My favourite was a dark, moss green gown worn by Liu Wen. She looked so miserable wearing it though, you would have thought she was wearing a shabby sack. 





So there we have it...it's not a lot, but I feel alot more up to date with what's going on. For the last day of Paris Fashion week that is...

Photos: style.com, put together by me.

Thursday, 28 January 2010

Elie Saab Couture 2010



"...a bit too fantasy-prom to cut it in Couture week", were the words of Sarah Mower in her review of Elie Saabs latest couture collection. As a huge fan of Saab's collections year in and year out, I quite predictably disagree. Ok, it wasn't as breathtaking as I found it to be for Fall/Winter '09 - that frosted, ice cold elegance created a league all of it's own, but to not 'cut it in Couture week'?, now that's just plain wrong. I don't know if my perceptions are blinkered though, because I do have a slightly Cinderella based obsession with fantasy floor length gowns, intricately beaded and embroidered within every last inch of fabric (I'm also one of those who's had their wedding dress planned since I found out how amazingly fantastic a dress can make you feel. I may have been four and in a Laura Ashley summer dress, but the feeling is the same!). However, this collection was very worthy of Couture week and I hope the following photos illustrate this!


The dresses were expectantly exquisite, and had an air of vintage sophistication and style which reminded me of the gowns Kate Winslet wore in The Titanic. There were repetitive styles of dress (I reluctantly admit there were a couple a little too easy to click the 'next' button on), but hang on a second, didn't Karl Lagerfeld just show us jacket and skirt combination...after tedious jacket and skirt combination? Repetitive as either may be argued to be, they both stuck to what they do best and with what their labels have become synonymous with. The weakest points to the collection were probably the shorter dresses, as Mower did have a point in her review, they were a little too reminiscient of a school-girl prom. However, the rest was stunning and maybe the theme was inspired by the dress-dreams of many, many women? And that last dress....well, I'll let you decide!

















And last but definitely not least...







So, worthy of couture week? What do you think? Whose couture do you look forward to seeing?


Tuesday, 8 September 2009

Snowy and Stunning







The Paris A/W Haute Couture show has been and gone, but some pieces were just so stunning they definitly deserved  a mention. Elie Saab created one of these gorgeous collections....the intricate detailing and luxurious fabrics now synonymous with his name were brought to life with a modern twist in shades of white and complimented with cold frosted eyes.